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Le Petit Soldat Le Petit Soldat

Le Petit Soldat. Jean-Luc Godard, 1961/63

We say we do this and that. It's all hot air. Usually we do nothing, and if we happen to do something we're horrified, because it's never what we expected.

Détective. Jean-Luc Godard, 1985

Emma Emma. Autumn de Wilde, 2020

The Long Gray Line The Long Gray Line. John Ford, 1955

And you can't turn your actors into statues. Impossible. Even if we have precisely defined positions, which they discover for themselves, you have to leave a margin of movement otherwise we would be there, screwing them to the ground, moving their feet and driving nails into them...

Jean-Marie Straub in Pedro Costa's Where does your hidden smile lie?.

Detective Détective. Jean-Luc Godard, 1985

Streets of Fire Streets of Fire Streets of Fire Streets of Fire Streets of Fire Streets of Fire

Streets of Fire. Walter Hill, 1984

NEW

  1. Worlds. Isaac Goes, 2021
  2. Inner Outer Space. Laida Lertxundi, 2021
  3. Surviving You, Always. Morgan Quaintance, 2021
  4. Zero Length Spring. Ross Meckfessel, 2020
  5. The French Dispatch. Wes Anderson, 2021

OLD

  1. Grand Opera. James Benning, 1978
  2. Out 1. Jacques Rivette, 1971
  3. The End of Evangelion. Hideaki Anno & Kazuya Tsurumaki, 1997
  4. Branded to Kill. Seijin Suzuki, 1967
  5. Four Corners. James Benning, 1997
  6. Les Vampires. Louis Feuillade, 1915
  7. The Set-Up. Robert Wise, 1949
  8. Delphi Falls. Mary Helena Clark, 2017
  9. The Spiritual Life of Wholesale Goods. John Wilson, 2016
  10. Mr. Thank You. Hiroshi Shimizu, 1936

Balls Nulbeweging Niels Mondriaan

Work in progress snapshots.

O Panama O Panama

O Panama, James Benning. 1985

Starman Starman Starman Starman Starman Starman Starman Starman

Starman, John Carpenter. 1984

Assault on Precinct 13

Assault on Precinct 13, John Carpenter. 1976

Zig Zag Zig Zag Zig Zag Zig Zag Zig Zag

And then later.

Zig Zag

Zig~Zag, Raúl Ruiz. 1980

Had they been meant somehow for the long jammed and crawling hours of flight from the City, something inspirational to look at, to assure them all in a way not immediately clear it is not the end, or there is still hope ... ? was it only some travel game for the kids, to keep them occupied, to pass the time till the sudden light from behind, the unbearable sight in the mirror?

Vineland (pg. 252), Thomas Pynchon. 1990